People People Pocket Watch : Swedish design meets an offbeat approach to horology in a modern take on time

People People Pocket Watch


Swedish design collective People People lets their work do the talking. Splitting their time between client commissions and lab work, the creators of the successful Kickstarter project, the Transparent Speaker, are now set to dip…

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Are Women Bad Drivers? [Infographic]

women drivers 650x2567 Are Women Bad Drivers? [Infographic]

Many people (mostly men) claim that women are bad drivers, but is this really true? This infographic presented by ShiftInsurance.com takes a look at the numbers behind both men and women drivers.

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Via Design You Trust – Design Blog and Community http://designyoutrust.com/2013/04/are-women-bad-drivers-info…

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lazerian: gerald paper dog project

more than 100 international creatives have put their own spin on the free-standing paper dog, all of which will be presented in an exhibition during new york design week 2013.

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INFINITI curved visions competition winners

the jury has selected six finalists, and now it is up to the public to vote for their favourite project and determine who will win the 10,000 euro cash prize.

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Salone Milan 2013: Triennale Explores The Syndrome of Influence

triennale2013_alessi.JPGAlessandro Mendini reflects the playfulness of Alessi in a miniature town set on a backdrop of futurist painter Gerardo Dottori’s work.

In this year’s deep-dive into Italian design history, Milan’s Triennale Design Museum staged The Syndrome of Influence a three-part exhibition asking contemporary designers to reflect and interpret the work of historic Italian designers and brands. Progressing from post-war Italian designers to the continued work of current Italian manufacturers, the exhibition’s emphasis was more on exhibition design rather than the showcase of specific objects.

triennale2013_zanuso.JPGZANUSO stamped aluminum plates litter the gallery floor.

Beginning with the period immediately following the second World War, curator Silvana Annicchiarico tapped and impressive roster of young Italian designers to create homages to the giants of post-war Italian design. Of the ten installations, which also included work by Martino Gamper/Gio Ponti, Italo Rota/Joe Colombo and Studio Formafantasma/Robert Sambonet, my favorite was from Blumerandfriends. In their installation for the editor, designer and architect Marco Zanuso, they ask attendees to push a button, a trigger that starts a short video loop on a television—soon a countdown clock starts up and the strange industrial box mounted on the wall lights up. An explosion of compressed air accompanies the expulsion of a thin sheet of stamped aluminum with the word ZANUSO. As aluminum plates mound on the floor of the exhibition, the critique is clear: although Zanuso and his contemporaries were huge proponents of industrial production as a means for creating a better world, the limits of this perspective are now quite clear.

triennale2013_ettoresottsass.JPGIn Alessandro Scandurra’s ode to Ettore Sottsass, Scandurra wallpapers a room with the boldness of Indian iconography. Focusing on Sottsass’ transformational experience in India, Sottsass projects a flash of totemic inspiration between stills of Sottsass’ work.

triennale2013_brunomunari.JPGMatilde Cassni and Francesco Librizzi’s tribute to Bruno Munari’s Useless Machines was a crowd favorite—attendees would traverse the room, hanging on rods, and becoming part of the installation.

triennale2013_vicomagistretti.JPGPaolo Ulian interprets the work of Vico Magistretti. The shadows on the wall assume the, “threadlike appearance” of Magistretti’s work.

triennale2013_robertssambonet.JPGStudio Formafantasma’s tribute Roberto Sambonet’s tableware and kitchenware.

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david bowen’s tweeting houseflies at tower’s art gallery

the ‘fly tweet’ device sends twitter messages based on the activities of a collection of houseflies on a keyboard.

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marsotto edizioni: just black collection at milan design week 2013

by producing the white carrara marble pieces in black marquina, the objects are all the same in terms of their proportions and design intentions, however their silhouettes appear a bit sharper, bolder and more refined.

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